Matthew Bourne’s Cinderella is a thrilling and evocative love story told in dance. Matthew Bourne s vivid storytelling has never been more heart-stopping and his interpretation of the classic fairy tale has, at its heart, a true war-time romance. With Lez Brotherston’s sumptuous costumes and sets, which won an Olivier Award for his original designs, lighting by Olivier Award-winning Neil Austin and video and projection designed by Duncan McLean, Cinderella is performed in Surround Sound, designed by Paul Groothuis and featuring a specially commissioned recording played by a 60 piece orchestra. Cinderella's love interest in this version is not a traditional prince but an RAF pilot and her step brother Malcolm also falls in love with a dashing American GI named Buster. The London underground stood out for me as it captured exactly what it feels like. The Red Shoes is a ballet choreographed by Matthew Bourne using the music of Bernard Herrmann (1911–1975). This immediately reflects her dark qualities and makes her stand out from the others, often helping her to steal the attention of the scene as her character so clearly loved to do. In addition to this, the fairy godmother and Cinderella both wear white costumes- the fairy-godmother throughout, and Cinderella at the ball. Cinderella. Furthermore, this dark undertone is evident in the costumes they use. Let's celebrate Matthew Bourne, the great showman of British dance, World Premiere: 26 Sept 1997 at the Piccadilly Theatre, London. This intriguing mix of good and evil is a fitting reflection of the war. Why did you choose to set the world’s most famous fairy tale during the London Blitz in 1940? Cinderella and the prince then begin to perform a stunningly intimate dance, full of lifts and other dynamic movements that capture all the magic and romance that is expected in a performance of this classic fairy-tale. The most striking aspect of this re-telling of the Cinderella story is the setting. From the stage to your small screen, our Festival of Classics will be available to rent and download online from Friday 8th May. April 7-May 23, 1999. Matthew Bourne’s Cinderella is a thrilling and evocative love story told in dance. Nor is it about deeds, or lands, nor anything about glory, honour, might, majesty, dominion, or power, except War. Go behind the scenes of our award-winning production of Cinderella. Although the ball that follows in one of impressive dancing and vibrant set design, it seems to go on for slightly too long and confuses the storyline when Cinderella seems to leave the prince before going back to him. Matthew Bourne’s Cinderella is a thrilling and evocative love story set in London during the Second World War. Matthew Bourne’s Cinderella, at the Kennedy Center’s Opera House through Sunday, is brilliantly imagined and executed.Forget your Disney conceptions, or even the Rostislav Zakharov or Frederick Ashton ballet precursors to the same score by Sergei Prokofiev. “Admit passersby!” urged Britain’s wartime instructions. Matthew Bourne's Cinderella returned to Sadler’s Wells in 2017 for New Adventures' 16th Christmas Season from 9 Dec 2017 - 27 Jan 2018, followed by a major UK and International Tour, across Asia and the US, until March 2019. Matthew Bourne’s Cinderella is a thrilling and evocative love story told in dance. It is based broadly on the 1948 film The Red Shoes by Michael Powell and Emeric Pressburger.The set and costume designs are by Lez Brotherston.The ballet was premiered on 6 December 2016 at Sadler's Wells Theatre, London, by Bourne's ballet company, New Adventures. So captivating are the opening scenes of Sir Matthew Bourne’s latest retelling of Cinderella, that the audience could be forgiven for forgetting that they are at the ballet at all.There is an almost cinematic feel to the performance which, in true Matthew Bourne style, is certainly not the traditional fairytale story made famous by Disney. Matthew Bourne’s interpretation of this classic as a World War II love story works surprisingly well. A reinterpretation of the classic fairy tale, it features heart-stopping choreography, vivid, truthful characters. They must rise above the chaos around them to finally live happily ever after. This dark and grey aesthetic is also reflected in the well-thought-out stage design. A chance meeting results in a magical moment for Cinderella and her dashing young RAF pilot, together just long enough to fall in love before being parted by the horrors of the Blitz. Following the sold-out and critical success of The Red Shoes New Adventures returned in 2017 with one of our most popular and beloved productions, Matthew Bourne’s Cinderella – a thrilling and evocative love story, set in London during the Second World War. Overall Bourne’s stylistic interpretation of Cinderella was something completely unexpected. A chance meeting results in a magical moment for Cinderella and her dashing young RAF pilot, together just long enough to fall in love before being parted by the horrors of the Blitz. The anxiety of this time period is mimicked in both the tense, dramatic music that leaves the audience in constant suspense, and the constant threat of a bomb, foreshadowed by the sirens and films they play throughout on ‘how to be safe’ in the event of an air raid. Matthew Bourne’s interpretation of the classic fairy tale has, at its heart, a true war-time romance. The pair fall in love but are parted by the horrors of the blitz. (Francine Orr / … Carmel Morgan To inaugurate the new year, Matthew Bourne’s New Adventures Company returned to the Kennedy Center with a new production of his popular retelling of Cinderella. Nominated for Best New Dance Production, THEATRE AWARDS UK 2011 (formally The TMA Awards) Bourne stays true to many elements of the fairy-tale, such as the poor treatment of Cinderella by her evil stepmother and sisters, the lavish ball and of course, the lost shoe; however, he adds and alters so much more. Walking into the theater, patrons are greeted with signs that warn of air raid sirens. Tel: +44 (0)121 414 3344, Language, Cultures, Art History and Music, College of Life and Environmental Sciences, Geography, Earth and Environmental Sciences, Sport, Exercise and Rehabilitation Sciences, College of Engineering and Physical Sciences, See all schools, departments, research and professional services. The lighting and music also aided the overall atmosphere of the performance. A chance meeting results in a magical night for Cinderella and her dashing young RAF pilot, together just long enough to fall in love before being parted by the horrors of the Blitz. As Cinderella wakes up the lighting starts to brighten slightly to a beautiful orange colour, creating the feel of a sunrise, or perhaps a fiery reflection of London burning outside. For example, when one-by-one the males attending the ball all began to dance with Cinderella, forming an almost ‘conga line’ sequence. Although moments of it left me confused and questioning certain plot holes, I thoroughly enjoyed watching this stunning piece of art take over the hippodrome stage. This means that you’ll be able to access all of the titles from our ‘Festival of Classics’ including Swan Lake, Romeo and Juliet and The Car Man with the added bonus of Matthew Bourne’s Cinderella. The canon and different levels used in this section of the dance looked beautiful on stage and framed Cinderella’s transformation into a blonde ball-gowned beauty perfectly. A reinterpretation of the classic fairy tale, it features heart-stopping choreography, vivid, truthful characters, and is one of New Adventures’ most popular and beloved creations. Matthew Bourne’s vivid story telling has never been more heart-stopping and touching, and will take the audience into the heart of Prokofiev’s magnificent score, and the sights and sounds of war-torn London. However, the scene that followed was by far my favourite: We are met by the prince walking on stage where Cinderella sleeps in a bed. Photo: Hugo Glendinning. Matthew Bourne’s Cinderella is a thrilling and evocative love story set in London during the Second World War. Now 26, the dancer travels the world with Matthew Bourne’s company New Adventures, performing roles that most male dancers only dream of: the Lilac Fairy from “Sleeping Beauty” and the … The prince-like character as an RAF pilot highlights the glorification of fighting for your country. Although Owen was a soldier in the First World War, the messages he conveys are still extremely relevant, particularly the preface we wrote to his poetry anthtology: ‘This book is not about heroes. The internationally acclaimed choreographer’s interpretation of the classic fairy tale has, at its heart, a true war-time romance. With fluid movements and undulating bodies, Matthew Bourne’s world-class ballet troupe pay homage to a story which will hold up for all time. What of Cinderella’s godmother? Sir Matthew Bourne. The surround sound of a tube arriving successfully added to this. BBC Two - Matthew Bourne's Cinderella This programme is not currently available on BBC iPlayer A thrilling, evocative and modern love story told in dance. Above all I am not concerned with Poetry. Moments of intense colour from the lights depicted the time of day, the weather and much more, whilst the music added to the suspense of each scene. Yet, this status came with a price- leaving many survivors traumatised, shell-shocked and injured. WINNER of Outstanding Achievement in Dance, NATIONAL DANCE AWARDS 2018Ashley Shaw in the title role of 'Cinderella' nominated for Outstanding Female Modern Performance, WHAT'S ON READERS' AWARDS 2019Finalist in the Best Dance Production category. Sir Matthew Bourne talks about New Adventures and their re-telling of the classic story Cinderella which is touring the UK. Still, this glorification is present throughout the entire performance, including the other male characters dressed in uniform, as all the women in the piece clearly want their attention. Nominated for Best New Dance Production, MANCHESTER EVENING NEWS AWARDS 2011 A reinterpretation of the classic fairy tale, it features heart-stopping choreography and vivid, truthful characters. Matthew Bourne’s Cinderella is a thrilling and evocative love story set in London during the Second World War. © 2021 New Adventures Charity | Registered Charity No. Four of the most beloved New Adventures productions–Matthew Bourne’s Swan Lake, The Car Man, Cinderella, and Romeo and Juliet–are available on demand in rotation through April 4.Three of the productions have never been seen on stage in New York. This may be to show the ‘good’ characters, however, the fairy godmother seems both good and evil, particularly when playing the doctor character, or when hovering over the ball seemingly causing the explosion. The trauma of war spreads like spilled ink through Matthew Bourne’s dark but deeply interesting and affecting “Cinderella,” where fairy-tale characters have … However, moments of intense colour such as the hellish bombed scene that act II began with, stood out against the mundane costumes and background colours. The internationally acclaimed choreographer’s interpretation of the classic fairy tale has, at its heart, a true war-time romance. Set in London during the Second World War, Cinderella’s “prince” is a dashing RAF pilot. When eventually an explosion does go off it separates the two lovers, a twist that allows the story to be grounded in reality, instead of the spell wearing off at midnight like in the original. We're thrilled to announce that for the first time ever four of our New Adventures titles will be available to rent and purchase for digital download from this Friday. Choreographer Matthew Bourne brings his company, New Adventures, back to L.A. for a long run of his take on the “Cinderella” story at the Ahmanson Theatre. 1125342 | Company No. The 2010 revival was first performed on 15 November 2010 at the Theatre Royal, Plymouth then opened on 8 December 2010 at Sadler’s Wells Theatre. Matthew Bourne s vivid storytelling has never been more heart-stopping and his interpretation of the classic fairy tale has, at its heart, a true war-time romance. Furthermore, it seems Bourne was inspired by the music for Cinderella, as the time period in which Sergei Prokofiev was writing it was during World War II, hence the setting of this ballet. The show had its Japanese premiere at the Tokyu Theatre Orb on 3 October 2018. As the war sirens engulf the room with the clever use of surround sound, it is clear that this version of Cinderella is not the fairy-tale we are all accustomed to. In Matthew Bourne’s dance-theater production of “Cinderella,” we find a reminder to open up … Edgbaston A major UK and European Tour followed until May 2011. A chance meeting results in a magical night for Cinderella and her dashing young RAF pilot—together just long enough to fall in love before being parted by the horrors of the Blitz. Matthew Bourne’s Cinderella is a thrilling and evocative love story told in dance. A chance meeting results in a magical night for Cinderella and her dashing young RAF pilot, together just long enough to fall in love before being parted by the horrors of the Blitz. Bourne stays true to many elements of the fairy-tale, such as the poor treatment of Cinderella by her evil stepmother and sisters, the lavish ball and of course, the lost shoe; however, he adds and alters so much more. Despite this, there were moments that were flawlessly executed. Matthew Bourne’s productions are known for their fresh and intriguing twist on classics. Matthew Bourne’s ‘Cinderella’. Set in London during the Second World War, the drama features Cinderella and a dashing young RAF pilot. Birmingham B15 2TT English poetry is not yet fit to speak of them. However, when the fairy-godmother character then comes on and seemingly reverses time and allows Cinderella to attend the ball, the story becomes increasingly more magical and supernatural, especially when Cinderella eventually arrives in her spectacular dress. Matthew Bourne's Cinderella. They are both in their 1940’s style underwear which immediately creates a vulnerability to the scene. A reinterpretation of the classic fairy tale, it features heart-stopping choreography, vivid, truthful characters, and is one of New Adventures’ most popular and beloved creations. Ahmanson Theatre. Matthew Bourne — The Master Storyteller of Modern Dance ... Bourne’s Cinderella, set to Prokofiev’s score, had its world premiere in London in 1997 and sets the story amid the chaos of the Second World War. Matthew Bourne’s interpretation of this classic as a World War II love story works surprisingly well. Ashton's Cinderella and the traditional story was set in an unmarked era, a classical and fantastical time, whereas Matthew's Cinderella was set in 1940s London. Therefore, the white may instead be used to show what is supernatural, perhaps Cinderella never did attend the ball or really have a fairy godmother. Matthew Bourne's Cinderella Los Angeles Tickets Matthew Bourne's Cinderella Los Angeles Tickets Loosely based on the fairy tale of the same name, Matthew Bourne’s Cinderella tells a love story in the midst of World War II. Matthew Bourne's Cinderella – review Sadler's Wells, London ‘A big, all-heart performance’: Kerry Biggin in the title role with Sam Archer in Matthew Bourne's Cinderella at Sadler's Wells. Matthew Bourne has re-cast the iconic grandmotherly role as a slender silver-maned male angel attired completely in flashing silver togs. The evil stepmother, however, is very clearly always seen in black. The set transported the audience to so many realistic and magical places. This conflict in honouring the men who went to war and showing the reality of it is depicted in Wilfred Owen’s poetry. For example, the Prince is an injured RAF pilot, seemingly traumatised from the war, the fairy god-mother figure is an ambiguous phantom-like character who seems to have both good and evil qualities, and the notorious ball is set in the Café de Paris- a venue that hosted and still hosts a range of performers, but during the Second World War was bombed causing a number of fatalities. Set during World War II, CINDERELLA fans the flames of war while weaving a love story for all times. Fast forward two years and Matthew Bourne re-imagines the classic fairy tale of Cinderella, which is set in the 1940s during the London Blitz. However, this idealistic image of a war hero is shattered when you consider the brutal and murderous nature of war. Matthew Bourne’s interpretation of the classic fairy tale has, at its heart, a true war-time romance. Grab your snacks and let us sweep you off your feet, we’re bringing the Adventures to you. The show was first seen in the USA premiering on 30 March 1999 at the Ahmanson Theatre, Los Angeles. Every costume we see is a shade of grey- even the extravagant ball gowns- depicting the bleak reality of the war that is constantly hanging over each character’s head. 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